The temple has been designed in the lines of Nanda Maharaj (Krishna’s father) temple, in Vrindavan. Therefore, it is also known as Nanda Bhavan or Nandalaya (the House of Nanda). Structurally, a kalasha on the shikhara marks the top of the temple, on which seven flags are flown along with the Sudarshana Chakra. The seven flags represent the 7 ‘houses’ of Pushti Marg or Vallabh Sampradaya. The temple is also popularly called Shrinathji ki Haveli (House of Shrinathji). With the mood of worship in Pushti Marg, Shrinathji is not seen as an impersonal God so the worship is not done like in a temple. Shrinathji is seen as Thakorji or Lord of the House or Haveli and Sewa (service) is offered rather than worship. Like a regular household it has a chariot for movement (In fact the original chariot in which Shrinathji was brought to Singhar), a store room for milk (Doodhghar), a store room for betel (Paanghar), a store room for sugar and sweetmeats (Mishrighar and Pedaghar), a store room for flowers (Phoolghar), a functional kitchen (Rasoighar), a jewellery chamber (Gahnaghar), a treasury (Kharcha bhandaar), a stable for horses of chariot (Ashvashala), a drawing room (Baithak), a gold and silver grinding wheel (Chakki). The Nathdwara temple has subsidiary temples dedicated to deity Madan Mohan and Naveet Priya, located in the main complex. Shrinathji symbolizes a form of Krishna, when he lifted the Govardhan hill, with one arm raised. The image is in the form of a single black marble, where the lord is revealed with his left hand raised and the right hand made into a fist resting at the waist, with a large diamond placed beneath the lips. The deity is carved in bas-relief out of a monolithic black marble stone, with images of two cows, one lion, one snake, two peacocks and one parrot engraved on it and three sages placed near it. The iconography at the temple has given birth to Nathdwara Paintings. Book Nathdwara Taxi With Us.